Through the process of making work I seek to navigate subjects to which we have an emotional response. The act of interpreting these subjects is a wrestle, as matter fails to form definitions. What we are left with is the documentation of an attempt at navigation; clay surfaces are pushed and probed in search for a content while the computer with its seemingly infinite power to interpret, is used to make tracings of the immaterial. Through this act of melancholy deconstruction, images and spaces are reduced to the space of their mediation, stripped of the narrative and gloss that gives them a reality